No Time to Spare Page 3
After Zorro died, last spring, there had to be the emptiness.
Finally it began to be time that the house had a soul again (some Frenchman said that the cat is the soul of the house, and we agree). But no cat had chosen us or been offered to us or appeared weeping in a tree. So I asked my daughter if she’d come to the Humane Society with me and help me choose a cat.
A middle-aged, sedate, homebody cat, suitable for owners in their eighties. Male, for no reason but that the cats I have loved most dearly were males. Black, I hoped, as I like black cats and had read that they are the least popular choice for adoption.
But I wasn’t particular about details. I was nervous about going. I dreaded it, in fact.
How can you choose a cat? And what about the ones I couldn’t choose?
The Humane Society’s Portland office is an amazing place. It is immense, and I saw only the lobby and the cat wing—rooms and rooms and rooms of cats. There’s always somebody, staff and volunteers, at hand if you want them. Everything is organized with such simple efficiency that it all seems easygoing and friendly—low-stress. When you are one of the huge number of people coming daily to bring in or adopt animals, when you see the endless incoming and outgoing of animals and glimpse the tremendous, endless work involved in receiving and treating and keeping them, the achievement of that easygoing atmosphere seems almost incredible and totally admirable.
The human/animal interface is a very troubled one these days, and in one sense the Humane Society shows that trouble at its most acute. Yet in everything I saw there, I also saw the best of what human beings can do when they put their heart and mind to it.
Well, so we found our way into the cat wing and looked about a bit, and it turned out that at the moment there were very few middle-aged cats for adoption. The ones that were there mostly came from one place, which I’d read about recently in the newspaper: a woman with ninety cats who was sure she loved them all and was looking after them and they were all fine and . . . you know the story, a sad one. The Humane Society had taken about sixty of them. The nice aide whom we began to follow around told us that they weren’t in as bad shape as most animals in those situations, and were fairly well socialized, but they weren’t in very good shape either, and would need special care for quite a while to come. That sounded a bit beyond me.
Aside from them, most of the cats there were kittens. Kittening was very late this year, she said. Just like tomatoing, I thought.
In one room of six or eight kittens, Caroline noticed an agitated nylon play-tube which seemed to contain at least two active animals, one black and one white. Eventually one small cat emerged, very black-and-white and pleased with himself. Our guide told us he was older than most of them—a year old. So we asked to see him. We went to the interview room and she came in with the little fellow in the tuxedo.
He seemed very small for a year old: seven pounds, she said. His tail stood straight up in the air, and he purred most amazingly, and talked a good deal in a rather high voice, and often fell over in a playful/appeasement position. He was clearly, and naturally, anxious. He clung a little to the aide, till she left us alone with him. He wasn’t really shy, didn’t mind being picked up and handled and petted, though he wouldn’t settle on a lap. His eyes were bright, his coat sleek and soft, the black tail stood straight up, and the black spot on his left hind leg was terminally cute.
The aide came back, and I said, “OK.”
She and my daughter were both a little surprised. Maybe I was too.
“You don’t want to look at any others?” she asked.
No, I didn’t. Send him back, look at other cats, make a choice of one, maybe not him? I couldn’t. Fate or the Lord of the Animals or whatever had presented me with a cat, again. OK.
His previous owner had conscientiously filled out the Humane Society questionnaire. Her answers were useful and heartbreaking. Reading between some of the lines, I learned that he lived his first year with his mother and one sibling in a household where there were children under three, children from three to nine, and children from nine through fourteen, but no men.
The reason why all three cats were given up for adoption was stark: “Could not afford to keep.”
He had been only four days at the Humane Society. They had neutered him right away and he was recovering fast; he was in excellent health, had been well fed, well treated, a sociable, friendly, playful, cheerful little pet. I do not like to think of the tears in that family.
He has been with us a month today. As his first owner warned, he is somewhat shy of men. But not very. And not afraid of children, though sensibly watchful. We lived thirteen years with shy, wary Zorro, who feared many things—including my daughter Caroline, because once she stayed in our house with two big, unruly dogs, and for ten years he never forgave her. But this fellow is not timid. In fact, he is perhaps too fearless. He grew up as an inside-outside cat. Here, he won’t go outside till the weather gets warm. But then he must. I can only hope he knows what to be afraid of out there.
Like many young cats, he goes wild as a buck once or twice a day, flying about the room about three feet off the ground, knocking things off and over, getting into all kinds of trouble. Shouts of disapproval are ineffective, little swats on the butt are slightly effective, and he understands, and remembers, what No! and a preventing hand in front of his nose means. But I found to my distress that sometimes a threateningly raised hand will cause him to cringe and crouch like a beaten dog. I don’t know what that comes from, but I can’t stand it. So shout and swat and No! is all I can do.
Vonda sent me a whole bucket full of Super Balls, wonderful for solo soccer games and working off excess energy. He’s good at all varieties of String Game. When he wins at String-on-a-Stick, he walks off with the string and the stick and likes to carry the whole thing downstairs, clatter rattle bump. He is quite good at Paws Beneath the Door, but hasn’t yet got the point of Paws Between the Banisters—because there were no banisters in the house he grew up in. That was clear the first few days, when he tried to navigate our stairs, a landform entirely new to him. The learning process was extremely funny, and dangerous to us ancients, who are unsteady enough on stairs without a confused cat suddenly appearing belly up on the next stair down or darting madly crossways right in front of your foot. But he mastered all that, and now races up and down far ahead of us, barely touching the stairs at all, as to the manor born.
They warned us at the Humane Society that there was a feline cold going around, probably from the rescued cats, and he probably had it; there’s nothing they can do about it, any more than a kindergarten can. So he brought it home, and was a very snuffly little body for two weeks. Not a totally bad start, since he wanted to cuddle and sleep a lot, and we could get to know one another quietly. I didn’t worry much about him, because he had no fever and never for a moment lost his appetite. He had to snort to breathe while he ate, but he ate, and ate . . . Kibbles. Oh! Kibbles! Oh joy! Oh gourmet delight, oh tuna and sushi and chicken liver and caviar all in one! I guess kibbles is all he ever had to eat. So kibbles is Food. And he loves Food. He just loves it. He certainly won’t bother us with his finicky, demanding tastes. But it may take strong willpower (ours) to prevent globularity in this cat. We will try.
He is pretty, but his only unusual beauty is his eyes, and you have to look closely to realize it. Right around the large dark pupil they are green, and around that reddish yellow. I had seen that magical change in a semiprecious stone: he has eyes of chrysoberyl. Wikipedia tells us that chrysoberyl or alexandrite is a trichroic gem. It shows emerald green, red, or orange-yellow depending on the angle of the light.
While he had the cold and we were lying around together I tried out names. Alexander was too imperial, Chrysoberyl far too majestic. Pico was one that seemed to fit him, or Paco. But the one he kept looking around at when I said it was Pard. It started out as Gattopardo (the Leopard, Lampedusa’s Prince Fabrizio). That was too long for anybody his size, and got cut d
own to Pardo, and then turned into Pard, as in pardner.
Hey, Little Pard. I hope you choose to stay around a while.
Chosen by a Cat
April 2012
IN THE FOUR months since I wrote about his arrival, Little Pard has grown up. He is now Not Large But Quite Solid Pard. He’s what they call a cobby cat, not a leggy one. When he sits upright, the view from the rear is pleasingly and symmetrically globular, a shining black sphere, plus head and tail. But he isn’t fat. Though not for want of trying. He still loves kibbles, oh kibbles, oh lovely kibbles! Crunch, crunch, crunch to the last crumb, then look up with instant, infinite pathos—I starve, I perish, I have not eaten for weeks . . . He would love to be Pardo el Lardo. We are heartless. One half cup of food a day, the vet said, and we have obeyed her. One quarter cup of kibbles at seven, another at five. And, well, yes, there is a sixth of a can of catfood with warm water on it for lunch, to make sure he gets plenty of water. But he often leaves that till five when the kibbles arrive, the One True Food. And then he cleans both bowls and goes into the living room and maybe flies around a little bit, but mostly just sits and digests in bliss.
He is a vivid little creature. Youth is so dramatic! His tuxedo is utterly black and utterly white. He is utterly sweet and utterly nutty. Wild as a bronco, inert as a sloth. One moment he’s airborne, the next fast asleep. He is unpredictable, yet keeps strict routines—every morning he rushes over to greet Charles coming downstairs, falls over on the hall rug, and waves his paws in a posture of adoration. He still won’t sit on a lap, though. I don’t know if he ever will. He just doesn’t accept the lap hypothesis.
Getting waked up by twenty minutes of strong, steady purring is very nice, plus the nose that investigates the neck, the paw that pats the hair . . . the increasing intensity of purr, the commencement of pouncing . . . By then it’s quite easy to get up. Then he rushes into the bathroom ahead of me and flies around, mostly about waist level, getting into things; and he plays with the water I run for him in the bathtub and then leaps out to make wet flower paw prints here and there, or if I dribble him water in the washbasin he closes the stopper, thus creating a water hole where savage panthers may crouch in wait for dik-diks and gazelles, or possibly beetles. Then we go downstairs—one flying, the other not.
Closing the drain is typical. He’s clever at opening cabinets too, because he likes getting into things, anything that can be got into—cabinets, drawers, boxes, bags, sacks, a quilt in progress, a sleeve. He is ingenious, adventurous, and determined. We call him the good cat with bad paws. The paws get him into trouble and cause loud shouting and scoldings and seizures and removals, which the good cat endures with patient good humor—“What are they carrying on about? I didn’t knock that over. A paw did.”
There used to be a lot of small delicate things on shelves around the house. There aren’t now.
Charles bought him a little red harness. He is incredibly patient about having it put on—we thought it would be Charles the Bloody-Handed for weeks, but no. He even purrs, somewhat plaintively, during the harnessing. Then the bungee leash is attached, and they go out and down the back steps into the garden for Pard’s Walk. It went quite well twice, then a man running by outside the fence slapping his feet down galumph galumph scared Pard, and he wanted to go back inside at once, and is only beginning to get unscared of all the weirdnesses out there.
I think when it stops raining and we can sit outdoors with him it will be OK. He needs open space to fly around in, that’s for sure. But then of course we fear he may get too bold in his enthusiasm and ignorance and wander into the wild backyards and thickets down the hill or chase a bird out into the street, and so get lost or meet the Enemy. The Enemy comes in so many forms to cats. They are small animals, predators yet very vulnerable, and Pard has neither street smarts nor wilderness wisdom. But he’s bright. He deserves what freedom we can give him. Once it stops raining.
Meanwhile, he usually spends a good part of the day with me in my study, sleeping on the printer, about a foot from my right elbow. He fixated on me to start with and still tends to follow me up and down stairs and keep nearby, though he’s gaining more independence, which is good—if I wanted to be the center of the universe I’d have a dog. My guess is that for the first year of his life, in a small and crowded household, he was never alone; so he needs time to get used to solitude, as well as to silence, boredom, never getting pursued or squashed by a passionate baby, etc.
Not wanting to be the center of the universe doesn’t mean I don’t love having a cat nearby. It seems we got his name right: he’s a pardner, a true companion. I really like it when he sleeps at the top of my head on the pillow like a sort of fur nightcap. The only trouble with his sleeping on the printer is that it’s six inches from my Time Machine, which when it’s saving stuff makes a weird, tiny, humming-clicking noise exactly like beetles. Pard knows that there are beetles in that box. Nothing I can say will change his mind. There are beetles in that box, and one day he will get his paw into it and get the beetles out and eat them.
Part Two
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The Lit Biz
Would You Please Fucking Stop?
March 2011
I KEEP READING books and seeing movies where nobody can fucking say anything except fuck, unless they say shit. I mean they don’t seem to have any adjective to describe fucking except fucking even when they’re fucking fucking. And shit is what they say when they’re fucked. When shit happens, they say shit, or oh shit, or oh shit we’re fucked. The imagination involved is staggering. I mean, literally.
There was one novel I read where the novelist didn’t only make all the fucking characters say fuck and shit all the time but she got into the fucking act herself, for shit sake. So it was full of deeply moving shit like “The sunset was just too fucking beautiful to fucking believe.”
I guess what’s happened is that what used to be a shockword has become a noise that’s supposed to intensify the emotion in what you’re saying. Or maybe it occurs just to bridge the gap between words, so that actual words become the shit that happens in between saying fucking?
Swearwords and shockwords used to mostly come out of religion. Damn, damn it, hell, God, God-damned, God damn it to hell, Jesus, Christ, Jesus Christ, Jesus Christ Almighty, etc. etc. A few of them appeared, rarely, in nineteenth-century novels, usually as —— or more bravely as By G—! or d—n! (Archaic or dialect oaths such as swounds, egad, gorblimey were printed out in full.) With the twentieth century the religious-blasphemy oaths began to creep, and then swarm, into print. Censorship of words perceived as “sexually explicit” was active far longer. Lewis Gannett, the book reviewer for the old New York Herald Tribune, had a top-secret list of words the publisher had had to eliminate from The Grapes of Wrath before they could print it; after dinner one night Lewis read the list out loud to his family and mine with great relish. It couldn’t have shocked me much, because I recall only a boring litany of boring words, mostly spoken by the Joads no doubt, on the general shock level of titty.
I remember my brothers coming home on leave in the Second World War and never once swearing in front of us homebodies: a remarkable achievement. Only later, when I was helping my brother Karl clean out the spring, in which a dead skunk had languished all winter, did I learn my first real cusswords, seven or eight of them in one magnificent, unforgettable lesson. Soldiers and sailors have always cursed—what else can they do? But Norman Mailer in The Naked and the Dead was forced to use the euphemistic invention fugging, giving Dorothy Parker the chance, which naturally she didn’t miss, of cooing at him, “Oh, are you the young man who doesn’t know how to spell fuck?”
And then came the sixties, when a whole lot of people started saying shit, even if they hadn’t had lessons from their brother. And before long all the shits and fucks were bounding forth in print. And finally we began to hear them from the lips of the stars of Hollywood. So now the only place to get away from them is movies before 1990 or boo
ks before 1970 or way, way out in the wilderness. But make sure there aren’t any hunters out in the wilderness about to come up to your bleeding body and say, Aw, shit, man, I thought you was a fucking moose.
I remember when swearing, though tame by modern standards, was quite varied and often highly characteristic. There were people who swore as an art form—performing a dazzling juncture of the inordinate and the unexpected. It seems weird to me that only two words are now used as cusswords, and by many people used so constantly that they can’t talk or even write without them.
Of our two swearwords, one has to do with elimination, the other (apparently) with sex. Both are sanctioned domains, areas like religion where there are rigid limits and things may be absolutely off-limits except at certain specific times or places.
So little kids shout caca and doo-doo, and big ones shout shit. Put the feces where they don’t belong!
This principle, getting it out of place, off-limits, the basic principle of swearing, I understand and approve. And though I really would like to stop saying Oh shit when annoyed, having got on fine without it till I was thirty-five or so, I’m not yet having much success in regressing to Oh hell or Damn it. There is something about the shh beginning, and the explosive t! ending, and that quick little ih sound in between . . .