Tales From Earthsea Page 11

  Where he stood it was not wholly dark. The air moved against his face. Far ahead, dim, small, there was a light that was not werelight. He went forward. He had been crawling for a long time now, dragging the right leg, which would not bear his weight. He went forward. He smelled the wind of evening and saw the sky of evening through the branches and leaves of trees. An arched oak root formed the mouth of the cave, no bigger than a man or a badger needed to crawl through. He crawled through. He lay there under the root of the tree, seeing the light fade and a star or two come out among the leaves.

  That was where Hound found him, miles away from the valley, west of Samory, on the edge of the great forest of Faliern.

  “Got you,” the old man said, looking down at the muddy, lax body. He added, “Too late,” regretfully. He stooped to see if he could pick him up or drag him, and felt the faint warmth of life. “You’re tough,” he said. “Here, wake up. Come on. Otter, wake up.”

  He recognized Hound, though he could not sit up and could barely speak. The old man put his own jacket around his shoulders and gave him water from his flask. Then he squatted beside him, his back against the immense trunk of the oak, and stared into the forest for a while. It was late morning, hot, the summer sunlight filtering through the leaves in a thousand shades of green. A squirrel scolded, far up in the oak, and a jay replied. Hound scratched his neck and sighed.

  “The wizards off on the wrong track, as usual,” he said at last. “Said you’d gone to Roke Island and he’d catch you there. I said nothing.”

  He looked at the man he knew only as Otter.

  “You went in there, that hole, with the old wizard, didn’t you? Did you find him?”

  Medra nodded.

  “Hmn,” Hound went, a short, grunting laugh. “You find what you look for, don’t you? Like me.” He saw that his companion was in distress, and said, “I’ll get you out of here. Fetch a carter from the village down there, when I’ve got my breath. Listen. Don’t fret. I haven’t hunted you all these years to give you to Early. The way I gave you to Gelluk. I was sorry for that. I thought about it. What I said to you about men of a craft sticking together. And who we work for. Couldn’t see that I had much choice about that. But having done you a disfavor, I thought if I came across you again I’d do you a favor, if I could. As one finder to the other, see?”

  Otter’s breath was coming hard. Hound put his hand on Otter’s hand for a moment, said, “Don’t worry,” and got to his feet. “Rest easy,” he said.

  He found a carter who would carry them down to Endlane, Otter’s mother and sister were living with cousins while they rebuilt their burned house as best they could. They welcomed him with disbelieving joy. Not knowing Hound’s connection with the warlord and his wizard, they treated him as one of themselves, the good man who had found poor Otter half dead in the forest and brought him home. A wise man, said Otter’s mother Rose, surely a wise man. Nothing was too good for such a man.

  Otter was slow to recover, to heal. The bonesetter did what he could about his broken arm and his damaged hip, the wise woman salved the cuts from the rocks on his hands and head and knees, his mother brought him all the delicacies she could find in the gardens and berry thickets; but he lay as weak and wasted as when Hound first brought him. There was no heart in him, the wise woman of Endlane said. It was somewhere else, being eaten up with worry or fear or shame.

  “So where is it?” Hound said.

  Otter, after a long silence, said, “Roke Island.”

  “Where old Early went with the great fleet. I see. Friends there. Well, I know one of the ships is back, because I saw one of her men, down the way, in the tavern. I’ll go ask about. Find out if they got to Roke and what happened there. What I can tell you is that it seems old Early is late coming home. Hmn, hmn,” he went, pleased with his joke. “Late coming home,” he repeated, and got up. He looked at Otter, who was not much to look at. “Rest easy,” he said, and went off.

  He was gone several days. When he returned, riding in a horse-drawn cart, he had such a look about him that Otter’s sister hurried in to tell him, “Hound’s won a battle or a fortune! He’s riding behind a city horse, in a city cart, like a prince!”

  Hound came in on her heels. “Well,” he said, “in the first place, when I got to the city, I go up to the palace, just to hear the news, and what do I see? I see old King Pirate standing on his legs, shouting out orders like he used to do. Standing up! Hasn’t stood for years. Shouting orders! And some of em did what he said, and some of em didn’t. So I got on out of there, that kind of a situation being dangerous, in a palace. Then I went about to friends of mine and asked where was old Early and had the fleet been to Roke and come back and all. Early, they said, nobody knew about Early. Not a sign of him nor from him. Maybe I could find him, they said, joking me, hmn. They know I love him. As for the ships, some had come back, with the men aboard saying they never came to Roke Island, never saw it, sailed right through where the sea charts said was an island, and there was no island. Then there were some men from one of the great galleys. They said when they got close to where the island should be, they came into a fog as thick as wet cloth, and the sea turned thick too, so that the oarsmen could barely push the oars through it, and they were caught in that for a day and a night. When they got out, there wasn’t another ship of all the fleet on the sea, and the slaves were near rebelling, so the master brought her home as quick as he could. Another, the old Stormcloud, used to be Losen’s own ship, came in while I was there. I talked to some men off her. They said there was nothing but fog and reefs all round where Roke was supposed to be, so they sailed on with seven other ships, south a ways, and met up with a fleet sailing up from Wathort. Maybe the lords there had heard there was a great fleet coming raiding, because they didn’t stop to ask questions, but sent wizard’s fire at our ships, and came alongside to board them if they could, and the men I talked to said it was a hard fight just to get away from them, and not all did. All this time they had no word from Early, and no weather was worked for them unless they had a bagman of their own aboard. So they came back up the length of the Inmost Sea, said the man from Stormcloud, one straggling after the other like the dogs that lost the dogfight. Now, do you like the news I bring you?”

  Otter had been struggling with tears; he hid his face. “Yes,” he said, “thanks.”

  “Thought you might. As for King Losen,” Hound said, “who knows.” He sniffed and sighed. “If I was him I’d retire” he said. “I think I’ll do that myself.”

  Otter had got control of his face and voice. He wiped his eyes and nose, cleared his throat, and said, “Might be a good idea. Come to Roke. Safer.”

  “Seems to be a hard place to find,” Hound said.

  “I can find it,” said Otter.

  IV. Medra

  There was an old man by our door

  Who opened it to rich or poor,

  Many came there both small and great,

  But few could pass through Medra’s Gate.

  So runs the water away, away,

  So runs the water away.

  HOUND STAYED IN ENDLANE. He could make a living as a finder there, and he liked the tavern, and Otter’s mother’s hospitality.

  By the beginning of autumn, Losen was hanging by a rope round his feet from a window of the New Palace, rotting, while six warlords quarreled over his kingdom, and the ships of the great fleet chased and fought one another across the Straits and the wizard-troubled sea.

  But Hopeful, sailed and steered by two young sorcerers from the Hand of Havnor, brought Medra safe down the Inmost Sea to Roke.

  Ember was on the dock to meet him. Lame and very thin, he came to her and took her hands, but he could not lift his face to hers. He said, “I have too many deaths on my heart, Elehal.”

  “Come with me to the Grove,” she said.

  They went there together and stayed till the winter came. In the year that followed, they built a little house near the edge of the Thwilburn that r
uns out of the Grove, and lived there in the summers.

  They worked and taught in the Great House. They saw it go up stone on stone, every stone steeped in spells of protection, endurance, peace. They saw the Rule of Roke established, though never so firmly as they might wish, and always against opposition; for mages came from other islands and rose up from among the students of the school, women and men of power, knowledge, and pride, sworn by the Rule to work together and for the good of all, but each seeing a different way to do it.

  Growing old, Elehal wearied of the passions and questions of the school and was drawn more and more to the trees, where she went alone, as far as the mind can go. Medra walked there too, but not so far as she, for he was lame.

  After she died, he lived a while alone in the small house near the Grove.

  One day in autumn he came back to the school. He went in by the garden door, which gives on the path through the fields to Roke Knoll. It is a curious thing about the Great House of Roke, that it has no portal or grand entryway at all. You can enter by what they call the back door, which, though it is made of horn and framed in dragons tooth and carved with the Thousand-Leaved Tree, looks like nothing at all from outside, as you come to it in a dingy street; or you can go in the garden door, plain oak with an iron bolt. But there is no front door.

  He came through the halls and stone corridors to the inmost place, the marble-paved courtyard of the fountain, where the tree Elehal had planted now stood tall, its berries reddening.

  Hearing he was there, the teachers of Roke came, the men and women who were masters of their craft. Medra had been the Master Finder, until he went to the Grove. A young woman now taught that art, as he had taught it to her.

  “I’ve been thinking,” he said. “There are eight of you. Nine’s a better number. Count me as a master again, if you will.”

  “What will you do, Master Tern?” asked the Summoner, a grey-haired mage from Ilien.

  “I’ll keep the door,” Medra said. “Being lame, I won’t go far from it. Being old, I’ll know what to say to those who come. Being a finder, I’ll find out if they belong here.”

  “That would spare us much trouble and some danger,” said the young Finder.

  “How will you do it?” the Summoner asked.

  “I’ll ask them their name,” Medra said. He smiled. “If they’ll tell me, they can come in. And when they think they’ve learned everything, they can go out again. If they can tell me my name.”

  So it was. For the rest of his life, Medra kept the doors of the Great House on Roke. The garden door that opened out upon the Knoll was long called Medra’s Gate, even after much else had changed in that house as the centuries passed through it. And still the ninth Master of Roke is the Doorkeeper.

  In Endlane and the villages round the foot of Onn on Havnor, women spinning and weaving sing a riddle song of which the last line has to do, maybe, with the man who was Medra, and Otter, and Tern.

  Three things were that will not be: Solea’s bright isle above the wave, A dragon swimming in the sea, A seabird flying in the grave.

  Darkrose And Diamond

  A BOAT-SONG FROM WEST HAVNOR

  Where my love is going

  There will I go.

  Where his boat is rowing

  I will row.

  We will laugh together,

  Together we will cry.

  If he lives I will live,

  If he dies I die.

  Where my love is going

  There will I go.

  Where his boat is rowing

  I will row.

  In the west of Havnor, among hills forested with oak and chestnut, is the town of Glade. A while ago, the rich man of that town was a merchant called Golden.

  Golden owned the mill that cut the oak boards for the ships they built in Havnor South Port and Havnor Great Port; he owned the biggest chestnut groves; he owned the carts and hired the carters that carried the timber and the chestnuts over the hills to be sold. He did very well from trees, and when his son was born, the mother said, “We could call him Chestnut, or Oak, maybe?” But the father said, “Diamond,” diamond being in his estimation the one thing more precious than gold.

  So little Diamond grew up in the finest house in Glade, a fat, bright-eyed baby, a ruddy, cheerful boy. He had a sweet singing voice, a true ear, and a love of music, so that his mother, Tuly, called him Songsparrow and Skylark, among other loving names, for she never really did like “Diamond.” He trilled and caroled about the house; he knew any tune as soon as he heard it, and invented tunes when he heard none. His mother had the wisewoman Tangle teach him The Creation of Ea and The Deed of the Young King, and at Sunreturn when he was eleven years old he sang the Winter Carol for the Lord of the Western Land, who was visiting his domain in the hills above Glade. The Lord and his Lady praised the boy’s singing and gave him a tiny gold box with a diamond set in the lid, which seemed a kind and pretty gift to Diamond and his mother. But Golden was a bit impatient with the singing and the trinkets. “There are more important things for you to do, son,” he said. “And greater prizes to be earned.”

  Diamond thought his father meant the business—the loggers, the sawyers, the sawmill, the chestnut groves, the pickers, the carters, the carts—all that work and talk and planning, complicated, adult matters. He never felt that it had much to do with him, so how was he to have as much to do with it as his father expected? Maybe he’d find out when he grew up.

  But in fact Golden wasn’t thinking only about the business. He had observed something about his son that had made him not exactly set his eyes higher than the business, but glance above it from time to time, and then shut his eyes.

  At first he had thought Diamond had a knack such as many children had and then lost, a stray spark of magery. When he was a little boy, Golden himself had been able to make his own shadow shine and sparkle. His family had praised him for the trick and made him show it off to visitors; and then when he was seven or eight he had lost the hang of it and never could do it again.

  When he saw Diamond come down the stairs without touching the stairs, he thought his eyes had deceived him; but a few days later, he saw the child float up the stairs, just a finger gliding along the oaken banister-rail. “Can you do that coming down?” Golden asked, and Diamond said,

  “Oh, yes, like this,” and sailed back down smooth as a cloud on the south wind.

  “How did you learn to do that?”

  “I just sort of found out,” said the boy, evidently not sure if his father approved.

  Golden did not praise the boy, not wanting to making him self-conscious or vain about what might be a passing, childish gift, like his sweet treble voice. There was too much fuss already made over that.

  But a year or so later he saw Diamond out in the back garden with his playmate Rose. The children were squatting on their haunches, heads close together, laughing. Something intense or uncanny about them made him pause at the window on the stairs landing and watch them. A thing between them was leaping up and down, a frog? a toad? a big cricket? He went out into the garden and came up near them, moving so quietly, though he was a big man, that they in their absorption did not hear him. The thing that was hopping up and down on the grass between their bare toes was a rock. When Diamond raised his hand the rock jumped up in the air, and when he shook his hand a little the rock hovered in the air, and when he flipped his fingers downward it fell to earth.

  “Now you,” Diamond said to Rose, and she started to do what he had done, but the rock only twitched a little. “Oh,” she whispered, “there’s your dad.”

  “That’s very clever,” Golden said.

  “Di thought it up,” Rose said.

  Golden did not like the child. She was both outspoken and defensive, both rash and timid. She was a girl, and a year younger than Diamond, and a witch’s daughter. He wished his son would play with boys his own age, his own sort, from the respectable families of Glade. Tuly insisted on calling the witch “the wisewo
man,” but a witch was a witch and her daughter was no fit companion for Diamond. It tickled him a little, though, to see his boy teaching tricks to the witch-child.

  “What else can you do, Diamond?” he asked.

  “Play the flute,” Diamond said promptly, and took out of his pocket the little fife his mother had given him for his twelfth birthday. He put it to his lips, his fingers danced, and he played a sweet, familiar tune from the western coast, “Where My Love Is Going.”

  “Very nice,” said the father. “But anybody can play the fife, you know.”

  Diamond glanced at Rose. The girl turned her head away, looking down.

  “I learned it really quickly,” Diamond said.

  Golden grunted, unimpressed.

  “It can do it by itself,” Diamond said, and held out the fife away from his lips. His fingers danced on the stops, and the fife played a short jig. It hit several false notes and squealed on the last high note. “I haven’t got it right yet,” Diamond said, vexed and embarrassed.

  “Pretty good, pretty good,” his father said. “Keep practicing.” And he went on. He was not sure what he ought to have said. He did not want to encourage the boy to spend any more time on music, or with this girl; he spent too much already, and neither of them would help him get anywhere in life. But this gift, this undeniable gift t the rock hovering, the unblown fife—Well, it would be wrong to make too much of it, but probably it should not be discouraged.